Memoir Recounts Youthful Quest for Meaning in D&D, Comics, Zeppelin

Ethan Gilsdorf, author of Fantasy Freaks and Gaming Geeks, interviewed about Too Much to Dream over at Wired's GeekDad.

From the interview:

Gilsdorf: As a kid also growing up in the same era, I remember being haunted by Leonard Nimoy’s In Search Of TV series, as well as devouring books about the Loch Ness monster and Bigfoot. There are tons of examples of the weird and occult breaking through in the ’70s to the mainstream, aren’t there? Think of the X-Ray Vision glasses you could order from the back of a comic book, or plans to build your own hovercraft, or spy cameras, ventriloquist dummies, all kinds of tricks and magic. Remember Freakies breakfast cereal? All about a post-hippie commune of misfit toys who lived in a tree. What was that about?

Bebergal: Freakies cereal is an amazing example of the fringe making it into the mainstream. But it was so giddily counterculture, almost like a hippie practical joke, and yet it seemed to have this deep mythology, replete with individual characters with their own personalities, and even the great mythic trope, a world tree where all the Freakies gathered. I had to have it! I recall it was hard to find though, and that it actually tasted kind of horrible, but they came with a terrific prize, a magnet in the likeness of one of the characters.

--Read the interview--

Harry Smith - Heaven And Earth Magic (Excerpt)

American Magus Harry Smith: A Modern Alchemist, edited by Paola Igliori
I am dying to find a copy of this. the only book I know of that is a comprehensive look at the life and work of this remarkable character; a music archivist, filmmaker, magician.

Too Much to Dream Excerpts

Read excerpts from Too Much to Dream:

Tablet Magazine

Poets and Writers

The Fix 

The Revealer 

You can also read an excerpt in the Fall 2011 issue of Tin House.

Getting There Too Quickly: Aldous Huxley and Mescaline

Between his 1932 vision of a sterile dystopia in Brave New World and the 1962 novel Island about a spiritual utopia, the author Aldous Huxley experienced two things; the Hindu religious philosophy known as Vedanta and psychedelic drugs. In Brave New World, people are addicted to Soma, a hallucinogenic that artificially simulates a kind of dull transcendent state, and so makes religion irrelevant. In Island, the Palanese (residents of Pala where the book takes place) ritually use the drug moksha for spiritual and mystical insights. It wasn’t that by the time he was writing Island Huxley no longer believed that civilization was potentially doomed to a homogenized over-indulgent consumer culture, but rather that there was another possibility for human destiny. Soon after writing Brave New World Huxley saw this other opportunity but believed it would take work, a disciplined and rigorous adherence to a spiritual ideal. By the time he got around to writing Island he was convinced there was a faster, less strenuous way to find the higher purpose of human consciousness: mescaline.

--Read more--